Coplan, Chris (8 September 2011). "The Who details massive Quadrophenia: The Directors Cut box set". Consequence of Sound. Archived from the original on 8 July 2014 . Retrieved 27 January 2015. Clements, Ashley (29 January 2013). "Everything you need to know about The Who's Quadrophenia". GigWise. Archived from the original on 11 February 2015 . Retrieved 11 February 2015.

Classifiche". Musica e Dischi (in Italian) . Retrieved 27 May 2022. Set "Tipo" on "Album". Then, in the "Artista" field, search "Who". Jones, Chris (2008). "Review of The Who – Quadrophenia". BBC Music. Archived from the original on 25 September 2015 . Retrieved 28 January 2015. Greene, Andy (15 November 2012). "The Who Stage 'Quadrophenia' at Triumphant Brooklyn Concert". Rolling Stone. Archived from the original on 13 July 2014 . Retrieved 27 January 2015.Top 100 Album-Jahrescharts" (in German). GfK Entertainment Charts. 1974. Archived from the original on 12 June 2018 . Retrieved 2 April 2022. My favourite album of all time and the origin of my username, this four-sided album is The Who at their best. The underlying idea here is contrast. Contrast between songs - "I'm One" is 100% acoustic calm, while "5:15" is powered by bombastic brass, and "The Real Me" starts the album off in a most perfectly chaotic way. Contrast also happens inside the songs - between Roger's bold, strong voice and Pete's soft, heartfelt vocals. This contrast reflects Jimmy's internal conflict, the different voices in his head. But through this point and counterpoint, album stays cohesive - while the story does require a little reading (there is not much "dialogue"), the revisiting of themes keep it familiar. Live at Madison Square Garden New Year's Eve 1995". AllMusic. Archived from the original on 25 February 2015 . Retrieved 9 February 2015. Wolff, Sander (9 July 2013). "Scott Devours: From Here to the Who". Long Beach Post. Archived from the original on 27 June 2019 . Retrieved 27 June 2019.

Graff, Gary (11 November 2011). "Pete Townshend on 'Quadrophenia,' The Who's 'Last Great Album' ". Billboard. Archived from the original on 13 September 2014 . Retrieved 28 January 2015.

American album certifications – The Who – Quadrophenia". Recording Industry Association of America. The Who – Quadrophenia – Polydor #5319712". AllMusic. Archived from the original on 15 July 2017 . Retrieved 26 January 2015.

A subsequent tour of the US and UK followed, employing most of the same players but with Billy Idol replacing Edmondson, [73] Simon Townshend replacing Gilmour and P. J. Proby replacing Glitter during the second half of the tour. 85,000 fans saw the ensemble perform Quadrophenia at Madison Square Garden over six nights in July 1996. [74] A recording from the tour was subsequently released in 2005 as part of Tommy and Quadrophenia Live. [75] 2010s tours [ edit ] Offiziellecharts.de – The Who – Quadrophenia" (in German). GfK Entertainment Charts. Retrieved 6 December 2022. The Who: 'Quadrophenia' (Deluxe Edition) – Album review – Music Review". Digital Spy. 23 November 2011. Archived from the original on 18 August 2014 . Retrieved 19 May 2014. Barker, Emily (24 October 2013). "The 500 Greatest Albums Of All Time: 300-201". NME. Archived from the original on 5 April 2019 . Retrieved 1 June 2020. The film caused a brief revival of Mod music and styles at the end of the 70s, but one element of the story that’s not so clear to anyone who’s only watched the film is: what does that title mean? The film doesn’t elaborated, but the explanation is buried in the sleevenotes to the original album.As the confused, weary and stimulant-driven Jimmy explains in the sleevenotes: “It must be alright to be plain ordinary mad… Schizophrenic? I'm bleeding Quadrophenic.” Tommy and Quadrophenia: Live". AllMusic. Archived from the original on 29 July 2014 . Retrieved 9 February 2015. Live Phish, Vol. 14 – Phish". AllMusic. Archived from the original on 4 March 2015 . Retrieved 9 February 2015. Remember Quadrophonic sound? No? It was an early attempt to create “SurroundSound” using four speakers rather than the usual two for stereo. The equipment was costly and didn’t catch on, but for a time in the early 1970s, it was a luxury item for audiophiles.